We paid a visit to Aldermaston Church recently to look at the Tudor monument that, I'd read online, was inside, but sadly found it firmly locked. We even loaded up on a lovely lunch at the Hind's Head first for some church hunting in the afternoon. Anyway, luckily I found details of the inside of the church - and the tomb - in an old copy of the Berkshire Archaeological Journal of 1911.
The tomb I had in my sights was that of Sir George and Elizabeth Forster, a prominent Aldermaston couple who lived during the sixteenth century.
Aldermaston has a long history. It was owned by King Harold in Saxon times, and after his death at the Battle of Hastings in 1066, passed into the hands of the Norman kings. Henry I, William the Conqueror's son, granted it to Sir Robert Achard, and it passed from there into the Delamare and Forster families through centuries of marriage. As the church contains monuments in stone, brass and glass to these three families, and their names are knitted in with the history of Aldermaston, it suggests that they lived in the village, and it is believed that a manor house existed there from the 1400s. The Forsters also owned the advowson of St Mary's church, the authority to name the priest in service there, and so certainly had local control. Interestingly, the family that I was going to visit were represented at the pub we randomly popped in to have lunch. The Forster's emblem was the hind's head.
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| Tomb of George and Elizabeth Forster, Berkshire Archaeological Journal, 1911. Public Domain Mark, via archive.org |
St Mary's in Aldermaston, George and Elizabeth's parish church, dates to the Norman period, although an earlier church existed in the village at the Domesday Survey of 1086. It was enlarged and maintained throughout the later centuries, and rescued in the nineteenth century with essential stabilising work. Some of the glass inside the church displays the Forster arms, along with the branches of related families. The Forster's would have seen representations inside the church, of the Annunciation and the Coronation of the Virgin, both dating to around the thirteenth century. There were also windows showing eight armorial shields with the arms of Forster, Achard, Delamare, Popham, Harpsden, St. Martin, Zouch, Milbourne and Roches families. The Sandys family are also represented, with George and Elizabeth's son, Humfrey having married a daughter of the Lord Sandys of The Vyne in Hampshire.
The Forsters would also have known the medieval painting of St Christopher in the church and the Tudor wooden triptych thought to have been made between 1480 and 1540. This depicts the story of the Nativity, created by the artist Adrian von Orlei, from the Low Countries. The church they knew was brightly-coloured, with decorations around the church painted in red and yellow. Another wall painting, believed to have been of St Nicholas, also brightened the walls.
George and Elizabeth Forster are commemorated in an alabaster tomb inside the south chapel of the church. Elizabeth was the granddaughter of Sir Thomas Delamare, explaining the link between the shields and other emblems inside the church. The effigies are created just a little larger than life, at just over six feet long. George was a courtier during the reign of Henry VIII, and attended the celebrations at the Field of the Cloth of Gold in 1520, peace talks disguised as a show of strength between Henry and the French king, Francis I, in Calais. He was the son of Sir Humfrey Forster of Harpsden near Henley-on-Thames. Interestingly, Elizabeth is not discussed often with relation to the tomb other than to state that she was George's wife. In fact, according to Kenneth Hillier, she was the real local power behind the marriage. Hillier, in his article on Elizabeth's father, A Rebel of 1483: Sir Thomas de la Mare, points out that she inherited Aldermaston after the deaths of his other heirs. So it was Elizabeth that held the manor of Aldermaston, and was therefore George's through their marriage. He also discusses Sir Thomas' part in the 1483 Buckingham Rebellion against Richard III. He rose in Newbury that autumn, when Elizabeth was a teenager, and was pardoned in 1484. It doesn't seem that he was among those who fled to Brittany to the Earl of Richmond. Elizabeth had a sister named Frideswide, who she shared the Aldermaston estate with, but became sole inheritor when Frideswide died. Their father had supported Lancaster during the Wars of the Roses, switching to the allegiance of York under Edward IV, who knighted him.
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| George and Elizabeth Forster, Aldermaston Church. Berkshire Archaeological Journal, 1911. Public Domain Mark, via archive.org |
George Forster is depicted in armour, which is no surprise as he proved himself as a soldier and was made a Knight of the Bath. For this honour, George would have met with other knights to be inducted, taken a bath the evening before the ceremony and the king would have made the sign of the cross on his shoulder and kissed it. It was a very special honour to have and placed him in an elite force of knights rewarded specially by the king. George's armour on the effigy is well-preserved and shows the hind's head symbol. Especially detailed, it also shows the inside of the helmet being lined with material, providing comfort for the wearer. The author of the Archaeological Journal wrote that, in 1911, 'the effigy presents us with a most complete specimen of the armour of this Transitional period'. George's feet lie resting on a stag, and he wears a Lancastrian 'SS' collar and a portcullis and Tudor rose pendant.
Elizabeth is depicted on her effigy with her head resting on two pillows supported by angels - one on each side. She wears formal robes, including a cloak secured by a chain, with a pendant in the shape of a rose. A popular symbol, a small dog, bites the hem of her cloak, often used to portray loyalty. The visitor in 1911 saw traces of colour and gilt used to decorate Elizabeth's gable style headdress and George's SS collar.
Underneath the figures on the table tomb below are figures of knights in armour in various poses, and female figures in slightly different dress and position. Another lady was carved into the tomb on its south side, kneeling with her right hand raised. On the north side is a knight in armour and the visitor suggests that these might depict the couple's son Humfrey Forster and his wife. It is not known whether the many figures represent George and Elizabeth's children or 'weepers', depictions of people sometimes known to the deceased, mourning their loss. On the effigy of Richard Beauchamp Earl of Warwick his daughters, sons and their husbands and wives are depicted, their identity confirmed by the accompaniment of their individual coats of arms.
George died in 1533, the year Anne Boleyn was crowned and gave birth to Princess Elizabeth. The couple had lived close to a court that saw enormous change. An anointed queen of almost twenty years, Katherine of Aragon, had been discarded and her marriage to Henry VIII annulled. They had seen Henry's accession to the throne in 1509, and the execution of Henry VII's tenacious advisors Empson and Dudley early in the young king's reign. The Tudor traveller and explorer of England and Wales, John Leland, believed that George and Elizabeth had twenty children, perhaps accounting for the figures depicted on the base of their tomb. It's also believed that the effigy at Aldermaston was erected while George was alive, and he may have had some control over how he and Elizabeth were represented. The visitor to the tomb in 1911 also saw a helmet and crest fixed onto a bracket, said to have been George's own.
The couple are interesting not only because of their finely-detailed effigies, giving us so much detail about clothing and jewellery of Henry VIII's reign, but that, like a number of women, Elizabeth held the real local power in the relationship through her father, the previous owner of the manor of Aldermaston. However through their marriage, George maintained control, although there is no doubt that Elizabeth was known in the village and would have been forging relationships, gaining local allies and planning the futures of their children.
Liked this? You might also like Historic Pubs: The Hind's Head, Aldermaston, The Lost Apartments of Anne Boleyn at Windsor Castle, and A Tudor Assault at Padworth, 1534.
Interested in women's history? Check out my book, Forgotten Women of the Wars of the Roses published by Pen and Sword Books. It discusses many woman of the fifteenth century conflict that played parts we don't often hear about today. You can Order your copy here.
Sources:
Rev P.H. Ditchfield, Berkshire Archaeological Journal, Volume 17, Reading, 1911.
Kenneth Hillier, Sir Thomas de la Mare, A Rebel of 1483, richardiii.net [accessed 6 February 2026]






