So the whole lockdown thing got lifted - very gradually, very carefully - but then we were able to (also gradually and carefully) hug loved ones again, meet for tea in the garden and browse for new books in person. Best news.
I had to be quick. The nature of rehearsals means that people are moving around quite a lot but then again, a rehearsal of the same scene again later gives you another chance to capture more detail.
I managed to sketch this scene, where Faringdon is confronted about the possibility of his treason.
Urban Sketching at Reading Abbey with Rabble Theatre. Image: © Jo Romero |
I started sketching the people first, drawing loose shapes in pencil to convey the positions on the stage and then added in the clothing and other details afterwards in pen, as they were walking around. Once that scene was finished, I set to work filling in the chairs around the stage, the lighting and the stage and the abbey surroundings. The sketch took me just over an hour, leaving me with another hour to complete a sketch of two more actors, and a bit of the abbey background.
Urban Sketching at the Abbey © Jo Romero |
Finally we had a throwdown, where we all look at each others' sketches - the actors had a look too!
Urban Sketching Throwdown © Jo Romero |
It was a beautifully warm, sunny day and I just loved sketching within the ruined abbey walls and witnessing scenes and conversations that could have been played out in real life right where I was sitting.
Liked this? You might also like 5 Stories from Reading Abbey and Treason at Reading Abbey: The Case of Thomas Kerver, 1444.
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