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by Jo Romero

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Reading, Berkshire

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In the winter of 1776 the national press reported the death of Elizabeth Percy, Duchess of Northumberland, at the age of sixty. The daughter of Algernon Seymour and his wife Francis Thynne, she was a descendant of the famous Seymours of Tudor history, including Edward Seymour Lord Protector of England. Elizabeth was important during her own time too, as a lady of the bedchamber to Queen Caroline (Queen of George III) and a well-known philanthropist of the Georgian era.

The Annual Register of that year reported that Elizabeth's death was a 'public loss which will be long lamented'. She died at her home at Northumberland House in The Strand in London on her sixtieth birthday, 5 December, sometime between 9pm and 10pm. 

Richard Houston, ca. 1721–1775, Elizabeth Countess of Northumberland, Baroness Percy, Lucy, Poynings, Fitzpain, Bryan, and Latimer, 1759, Mezzotint, Yale Center for British Art, Paul Mellon Collection, B1977.14.12909. Public Doman.

The Annual Register continued to mark the duchess, who, with her 'most princely fortune, devolved to her from her ancestors, sustained her exalted rank through her whole life with the greatest dignity, generosity and spirit'. She was known for giving funds to help the poor and encouraged the growth and spread of literature and the arts. She also had a 'warm attachment to her friends... goodness to her servants' and a 'tender affection for her family'. 

Unsurprisingly then, many Londoners turned up to pay their respects at the duchess' funeral which took place at Westminster Abbey on 18 December 1776. Before she died Elizabeth had requested a small and private service, but as crowds gathered, so many hovered around the entrance of the abbey that those carrying the coffin found it difficult to enter the abbey's west door, as well as get to St Nicholas' Chapel, where she was to be buried. Men and boys climbed up onto the fabric of St Edmund's Chapel to see the coffin pass, but no sooner had it been carried alongside them, the 500-year old stonework failed and men, boys, stone, oak, brick and iron came tumbling down with centuries of dust, onto the floor. 

The scene was described as one of 'confusion and uproar', with some having broken arms and legs and others 'most terribly hurt'. The coffin was left in St Edmund's Chapel while the dean of the abbey and his attendants checked on those involved in the accident. Eventually, as the chaos subsided, the crowds began to disperse, believing that there was no more ceremony to be seen and that the duchess would be interred quietly later on. With some order restored (and presumably pushing a fair bit of rubble and broken ironwork away) Elizabeth was buried in a service that began between 1pm-2pm, around two and a half hours after the coffin had been brought into the abbey. It was said that even then, the odd cry of 'murder' echoed throughout the ancient walls during the service from some of the injured that remained. 

Elizabeth's husband Hugh Percy, Duke of Northumberland, enquired as to whether anyone in the accident had been hurt and offered to provide some compensation, but this was not taken up by anyone. He gave £600 to be given away in charity and to the poor of Westminster in his wife's name and a monument was erected in the abbey in her memory. Made from white marble, it was designed by Robert Adams and sculpted by Nicholas Read and includes statues of Faith and Hope, the duchess seated on a couch distributing alms to the poor. It was also marked by statues of a lion and unicorn and a pyramid behind. The following inscription was added: 

Near this place lies interred Elizabeth Percy, Duchess of Northumberland, in her own right Baroness Percy, Lucy, Poynings, Fitzpayne, Bryan, and Latimer; sole heiress of Algernon, Duke of Somerset, and of the ancient Earls of Northumberland, She inherited all their great and noble qualities, with every amiable and benevolent virtue. By her Marriage with Hugh Duke of Northumberland, She had issue Hugh Earl Percy, Lady F. Eliz. Percy, who died in 1761, and Lord Algernon Percy. Having lived long an Ornament of Courts, an Honour to her Country, a Pattern to the Great, a Protectress of the Poor, ever distinguished for the most tender Affection for her Family and Friends, She died December 5th, 1776, aged Sixty; Universally beloved, revered, lamented.

Liked this? You might also like my other posts on the Wilders of Berkshire,  George III's Daughters and George II's Huge Fireworks Party of 1749.

You can hear me talking to BBC Radio Berkshire about the Georgian structure Wilder's Folly and the history behind it here. 

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Sources:

Annual Register, 1776 via archive.org

Brayley, EW. The History and Antiquities of the Abbey Church of St Peter Westminster. London. 1823


Wilder's Folly has long been associated with the story of the Rev. Henry Wilder and his wife Joan Thoyts. The red-bricked structure towers over the fields of the Sulham Estate on Nunhide Lane, a short walk from either Tilehurst or Calcot in Berkshire. But who were they? Their stories have been lost to time, but I've managed to find scraps of their lives in old newspapers, nineteenth-century pedigrees and monuments. 

Henry Wilder was born in 1744 to John Wilder and his wife Beaufoy Boyle (b.1714). It's believed that his birth took place in Shiplake, at the family home. The earliest Wilders came to the area in the fifteenth century, and had based themselves at the village since then, meaning that it had been the family's ancestral home for centuries. John Wilder was a local government official, serving as a Captain of the Militia and Magistrate. He and Beaufoy had married in 1735, the Newcastle Courant of that year reporting that she was 'an agreeable young lady of £10,000 fortune', over £1.1 million in today's value. Beaufoy also had royal blood, according to nineteenth-century genealogist Bernard Burke. He traced Beaufoy's descent through the dukes of Norfolk in the sixteenth century, back to Edward I and Eleanor of Castile of the thirteenth and fourteenth centuries. John had relatives that had settled in the American colonies, the first of those travelling as pilgrims in the 1630s.

The couple lived in Shiplake, but also had property in Nunhide Lane, Sulham. John succeeded to his family estates in 1765, settling into an active role locally and into family life with his son Henry and daughters Harriet, Mary Ann and Amy. 

When Henry was around twenty-three years old he married Joan Thoyts, daughter of William Thoyts, a landowner at nearby Sulhamstead. She was a few years younger than Henry, born in 1748, and was around nineteen years old at their wedding. It is at this point that the local legend surrounding Wilder's Folly is believed to have emerged. The tale is that Henry, in love with his future wife, had the folly built in 1769 so that they could both see the structure from their respective homes, reminding them of one another just before their marriage. The tower is said to have later been used as a dovecote. There's limited actual physical evidence for Henry's intention behind the building of the tower, and I have been unable to find proof that it was actually built in 1769 but it does appear as a 'pigeon tower' on a map of 1830, just a decade or two after Henry's death. It's possible the building was always intended as a dovecote, as if it was constructed in 1769, as local legend states, it wouldn't have made sense for the couple to to be gazing out longingly at the tower while they were already married. If so, it doesn't cancel out the romantic legend associated with it. Wealthy families bred pigeons for fertiliser, messaging or as a status symbol or hobby, and so the building may still have meant something to the couple in their early years. 

Wilder's Folly, Nunhide Lane

After their marriage, Henry and Joan had a number of children - eleven in total. Genealogies track only eight of them, but this was because three children died young and are often ignored in family trees that focus on tracing descent. Their children were John (born in 1769), George Lodovick, William (baptised 1773) Francis Boyle Shannon (born in December 1775), Mary Ann (baptised May 1775), Harriett (born 1778), Lucy (baptised 1779)and Charlotte Beaufoy (died in 1870). A son named Henry died at the age of eight, baptised on 7 December 1771 and buried on 18 January 1780. Another, Richard, lived until the age of five, his baptism taking place on 20 September 1776 and his burial on 15 December 1781. A daughter, Joan, was baptised on 25 October 1770 and was buried a few weeks later, on 10 November of the same year.

Henry pursued a career in the church, and received his degree at St John's College in Oxford, where he became a Fellow, later serving as rector of Sulham church. The year 1772 brought the death of Henry's father John, and his succession to the family estates. In 1777 Henry sold the family home at Shiplake and purchased Purley Hall, just off Long Lane in Purley. It was said to have been a brick and stone structure with carved heraldry, grounds, stables, a library and courtyards. He would be known in future correspondence as 'the Rev. Henry Wilder of Purley Hall' although the family were also based at Sulham House, which could be seen from the folly on Nunhide Lane.

Sulham Church

We see Henry appear often in newspaper reports and in papers of the House of Lords. In 1776 he was presented the rectory of Edgecut in Buckinghamshire, and served on the Reading Commission for George III in 1799. In 1783 he was responsible for committing sentenced locals to gaol, and attended judgements in the local courts. In various documents he was permitted by the king to appoint a gamekeeper at Sulham Manor, whose name, in 1795, was Thomas Lovegrove. While Henry was dealing with official and church business, his wife Joan was tending to their growing family, with evidence that she was appointing a governess for the children to ensure their education. In 1777 the couple were both involved in a petition for a Bill at the House of Lords regarding the sale of some of the Thoyts' family estates in Kent. 


Rev. Henry Wilder's Memorial Tablet in Sulham Church

Henry died on 22 June 1814 at Purley Hall, and was buried at Sulham. His monument lists others that are buried with him, including five children who had died young. In a document of 1830 his widow Joan was mentioned as the administrator of Henry's estate, showing that he trusted her to carry out his wishes after his death. It also hints that there was some legal trouble following Henry's death, with Joan asserting her role sixteen years after he died. A newspaper report in the Morning Post of 11 April 1837 shared Joan's death, at the age of 89 in Westminster in London, at Langham Place. She was carried to Sulham to be buried alongside her husband and some of their children. 

Henry and Joan are the subject of a local romantic legend, but that is not where their relationship ended. Married for 45 years, they were figures of local power, justice and spiritual support. They adopted their own roles, Henry in local government and as rector, and Joan as rector's wife and carer of their growing children. They left a trace in legal records, putting both their names to a petition to ensure the sale of Thoyts lands, and seem to have had a happy and long marriage, having to endure the early deaths of five of their infant children. Henry made Joan his administrator after his death, and she asserted her rights as this long after she had lived as his widow. Joan outlived Henry by some years, and would have coped with the loss of some of their adult children. Their eldest, John, died in February 1834. Every time we look up at the towering red-bricked folly in the centre of the Sulham countryside we should remember Henry and Joan, but this was not their only legacy. They were three-dimensional figures who lived through their own grief and challenges. They changed lives, and their descendants went on to serve too, in the church, local government and community.

Liked this? You might also like my other posts about the history of Reading and surrounding villages and towns here. 

You can hear me talking to BBC Radio Berkshire about Wilder's Folly and the history behind it here. 

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Sources:
Burke, Bernard. The Royal Families of England, Scotland and Wales. Harrison, London. 1876.
Burke, Bernard. Royal Descents and Pedigrees of Founders' Kin.  Harrison, London. 1858.
Ditchfield, P.H. A History of the County of Berkshire, Volume 3. William Page, London. 1923.
House of Lords Journal, Volume 62, 31 March 1830, British History Online
House of Lords Journal, 'Sherson et al Petition', December 1777, British History Online
Howard, Joseph Jackson. Visitation of England and Wales. London, 1893.
Kentish Gazette, Wednesday 27 November, 1776.
Morning Post, 11 April 1837
The Newcastle Courant, 21 June, 1735.
Oxford Journal, Saturday 21 June, 1769; 6 November 1790
Stirnet, for dates of the Wilders' children's births and deaths. [Accessed 24 July 2025]
The Reading Mercury, 25 March 1799; 5 January 1795; 2 May 1785
Warton, Thomas. The Correspondence of Thomas Warton. University of Georgia Press, 1995.
Wilder, Moses H. Book of the Wilders. New York. 1878. 
Urban, Sylvanus. The Gentleman's Magazine: and Historical Chronicle from January to June 1814 Vol LXXXIV Part the First, London. 1814. 
 


I often feel as though Anne of Cleves is a neglected queen by many of today’s historians. She only held the position for a few months, while Henry quickly divorced her and married her young lady in waiting, Catherine Howard. She is considered one of the wiser, though, of many of his six brides. She accepted the terms of her divorce which came with social recognition, becoming known as the ‘King’s Sister’, as well as some wealth, making her one of the richest women of the Tudor period. On quite a few of our days out I’ve seen buildings that claim to have been owned by the former queen, from the Anne of Cleves pub I used to eat dinner at in the early 2000s in Melton Mowbray, to Hever Castle in Kent, the childhood home of Anne Boleyn.

By Hans Holbein the Younger - Public Domain via Wikimedia Commons, 

Anne died in 1557, and her will gives us an intimate look at some of the former queen’s most treasured possessions. For someone who is often a forgotten figure I felt it was worth looking at some of these in more detail, like a cheeky look into Anne of Cleves’ jewellery box...

This is a paid subscriber-only post - read the full article on Substack

You might also like The Women of the Princes in the Tower Mystery and Tudor Power Couple: Giles and Elizabeth Daubeney.

If you're interested in power couples of Tudor history then check out Power Couples of the Tudor Era published by Pen and Sword Books, where I explore the relationship dynamics of well-known (and less well-known) couples and their contributions to history, together.


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Wolf Hall Weekend returns in 2026 for a celebration of Tudor England seen through the eyes of Hilary Mantel, novelist and author of the Wolf Hall books. With an impressive line up of historians, a stage play based on the story and guided tours all set in evocative surroundings near the Tower of London, I caught up with the event's founder and organiser David Holland to find out more about it. 
Ben Miles as Thomas Cromwell in The Mirror and the Light (David Holland)

The Wolf Hall Weekend event sounds amazing! How did you first become involved in organising these events and what in particular initially drew you to the work of Hilary Mantel? 
When Hilary Mantel died suddenly in 2022, I was halfway through The Mirror and The Light—her final, and perhaps finest, novel. Though I’d only glimpsed her once in a local gift shop in our shared town of Budleigh Salterton, her passing left me with a profound sense of loss. As tributes poured in, I felt a strong urge to help preserve her literary legacy in a meaningful way.
Remembering that Hilary had once acknowledged a nearby Tudor manor in Bring Up the Bodies—a place I knew well from my daughter’s wedding—I contacted the owner and proposed hosting a weekend in Hilary’s honour. With my background in publishing, I reached out to Nicholas Pearson, her longtime publisher, who enthusiastically agreed and introduced me to Hilary’s close friends, including actor Ben Miles and historian Sir Diarmaid MacCulloch. Their support quickly drew a remarkable group of experts who shared the same deep admiration for Hilary’s work.
Last year’s event was centred around the Wolf Hall Trilogy, can you tell us more about that and what it was like? Can you tell us any interesting discoveries or anecdotes? 
It was an amazing experience. I chose the trilogy because in it Hilary brought her meticulous and original research of the life of Thomas Cromwell, together with her unique and brilliant literary skills into a monumental work of over 2000 pages, and won two Booker prizes as a result - the only person to do that for two books in the same series of novels. It was a capacity attendance and everyone there had a genuine respect for Hilary’s great achievement and also admiration for her  - as a generous and caring person. It was a wonderful time to meet and share with each other our own anecdotes of either reading her books or having encountered Hilary at some point. Several people said that they had corresponded with Hilary and she always answered and encouraged them in their endeavours.
The speakers were all experts, historical and literary, and over two days we explored multiple aspects of her fictional view of one of the most tumultuous and brief periods of British history. Her choice to see the court and capricious nature of Henry VIII through the eyes of his chief minister, Thomas Cromwell, was a risky and ambitious idea - which she delivered with brilliance. We explored where she employed literary licence when she found gaps or ambiguity in the historical record, and how she created haunting characters that took on a new life in her novels as if they had been resurrected from the pages of historical evidence.
It’s really hard to choose between the many discovery moments from the weekend, but I’ll give it a shot. There was a panel that included Simon Haisell who runs Wolf Crawl (a slow read of Hilary’s trilogy on Substack), with Diarmaid MacCulloch, and Charlie Courtenay (Earl of Devon and relative of Gertrude and Henry Courtenay from Tudor times.) During the discussion about the so-called Exeter Conspiracy that targeted Gertrude and Henry as the instigators, Charlie surprised everyone by producing a fragment of Gertrude’s hair from his family archives! (see photo). You can tell from Diarmaid’s expression what a surprise that was, and it brought the history directly into the present. Then moments later we revealed that we had a descendant of Margaret Pole - another so-called conspirator against Henry VIII - (also called Margaret) in the room and when Margaret the younger introduced herself to everyone her likeness to the portraits of Margaret the elder were uncanny. It was a magical moment - one of many from the weekend. 
Charlie Courtenay, Simon Haisell and Diarmaid MacCulloch (David Holland)

What can visitors expect at 2026’s Wolf Hall Weekend near the Tower of London?
The theme for Wolf Hall Weekend 2026 is Magnificence—not just the splendour of royal courts, but the illusion and fragility of power. In The Mirror and the Light, Hilary Mantel shows us how easily grandeur becomes spectacle, and how quickly it turns on those who wear it. This theme runs through the entire weekend: from the venue by the Tower of London to the talks, exhibitions, and the play itself.
We’ve gathered an extraordinary range of contributors, each offering a distinct way into Mantel’s world. Tracy Borman will explore Anne Boleyn’s downfall and the Tower’s haunting presence in Hilary’s fiction - ground she knows intimately as Chief Historian of Historic Royal Palaces. Professor Diarmaid MacCulloch, whose biography of Cromwell is the gold standard, will look at the religious chaos that surrounded Cromwell’s final fall from grace. Actor Ben Miles - Cromwell on stage and Hilary’s trusted collaborator - returns to introduce the stage adaptation of The Mirror and the Light with co-star Aurora Dawson-Hunte.
Photographer George Miles brings The Wolf Hall Picture Book - a brooding visual response to the trilogy - while Lucie Bea Dutton’s powerful stitched interpretations of Hilary’s prose will be on display, offering a tactile way of experiencing the text. We’ll also hear from Dr. Lauren Mackay (The Wolf Hall Companion), Dr. Elizabeth Norton on queenship, Dr. Miranda Malins on Cromwell’s legacy, and Dr. Owen Emmerson on Mary Boleyn and the lesser-known figures Mantel resurrects. Literary voices include Dr. Lucy Arnold on haunting and grief in the prose, and Simon Haisell, whose Wolf Crawl has guided thousands through a global slow read of the trilogy. And Nicholas Pearson, Hilary’s longtime editor and publisher, will reflect on her process and creative brilliance.
Rounding out the weekend, from the staff at The Tower itself, are Eleri Lynn on fashion and political spectacle in Tudor court life, and Alfred Hawkins on the architecture of power.
On Sunday, we’re offering optional excursions: a curated walking tour of Tudor sites in the City, a Thames river cruise that traces Cromwell’s London, and the chance to revisit the Tower itself - with fresh eyes, after the insights of the weekend.
Whether you come for the history, the drama, the prose, or all three - this is a rare chance to experience Mantel’s world in its full, layered magnificence. (I should also mention that the ticket price includes catering - see https://wolfhallweekend.com/tickets.)
Aurora Dawson Hunte as Elizabeth Seymour (David Holland)

The weekend is taking place near the Tower of London which obviously has huge significance for this period of Tudor history and many of the characters in Hilary Mantel’s novels. What historical connection with the Tower or scene stands out to you most, from the novels? 
That’s a tough question to answer because there are so many. Such as the imprisonment of Sir Thomas More in the first novel and Cromwell's interrogation and complex relationship with him. Not to mention the imprisonment and execution of Anne Boleyn in the second book, and that of her so-called guilty participants in her act of ‘treason’, which was brilliantly interpreted by Hilary with fresh eyes. But for me the stand out connection with The Tower is the symbolic role it performs in The Mirror and The Light - and especially in Hilary and Ben’s play adaptation. 
The play opens at the very end of the story in 1540 with Cromwell in his prison cell in The Tower - which is ironically the same one that Anne was kept in under the order of Cromwell himself. As the scenes of the play unfold - moving back and forth around the events from 1536 to 1540 - The Tower remains the symbol of power that looms over the lives of those who come close to Henry VIII and pay the ultimate price with their lives. 
It was a year after I almost completed reading The Mirror of The Light before I found the courage to read the last chapter. Of course I knew the ending, but in a strange way I thought I could keep the ghost of Hilary’s Cromwell alive in my imagination by postponing his inevitable fateful conclusion. He was executed on Tower Hill - a small mound about 200 yards from the moat that surrounds The Tower and a small paved area with a bronze plaque marks the spot with his name and some of those he sent to die there before him.
Plaque at Tower of London (David Holland)

How does the event celebrate not only the characters of Wolf Hall but Hilary Mantel's own legacy? 
The event celebrates Hilary Mantel’s legacy by bringing together the very worlds she wove so powerfully in the Wolf Hall trilogy—through scholarship, performance, conversation, and creativity. We explore not just the historical figures she reimagined - Cromwell, Boleyn, Henry VIII - but also the extraordinary literary voice behind them.
With speakers ranging from her close collaborators to historians, actors, and academics, we honour the full scope of her achievement: her psychological insight, her lyrical prose, her fearless excavation of power and memory. Exhibitions of photography and stitched artwork inspired by her writing offer new ways to engage with her work, and the dramatic performance of The Mirror and the Light gives her words life once more. It’s a living tribute - a weekend where we can mix with like-minded admirers and together help Hilary’s legacy to resonate, inspire, and evolve.

Find out more about the weekend and book your tickets here at the Wolf Hall Weekend website. I'm going! Hopefully see you there!

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